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"The fullness and warmth of the timbre of French mezzo Victoire Bunel (as Octavie) also arouse great emotion: her ‘Disprezzata regina’, like her farewell to Rome, are among the most intense moments of the evening."
"Victoire Bunel lends her voice to the noble and proud Octavie, as well as to Virtue in the Prologue. Her warm, caressing voice fully serves the incarnation of a woman wounded and humiliated, but proud and touching in her anger. Her lamentations are filled with long, heavy silences full of heart-rending sorrow."
"Victoire Bunel is the sultry and charming Flora, her warm voice matching the enchanting dimension of her character".
"Remarkable vocal cast. The mezzo Victoire Bunel is a persuasive and twirling Ino."
"Victoire Bunel's graceful vibrato traces the expressive pencil lines of her Ino. The line is invested over time, the voice is that of an intoxicating siren that we continue to listen to passionately, drawn by the storytelling facets and sparkling carats to which she gives free access."
"In the category of couples on the verge of a nervous breakdown, the stunning Anthéa Pichanick and Victoire Bunel will find an Olympian echo in the battle...".
“…Surprisingly serene taking into account her youthfulness, Victoire Bunel follows on in the same footsteps. A mezzo-soprano, clear and with careful diction, she is Prince Charming to a Cinderella both returned to their true vocal identity…”
"... At her side, the mezzo-soprano Victoire Bunel relies on well-assured vocal material, great breath control and delivers a particularly conclusive performance. The voice is rich in harmonics, well timbred, with a full-bodied bass and a variety of colours: more than a little promise, I'm sure!"